Kubrick's Total Cinema - by Philip Kuberski (Paperback)
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<p/><br></br><p><b> About the Book </b></p></br></br><p>An original study of Kubrick's philosophical themes and cinematic qualities: time, light, speech, music, poiesis, corporeality, war, eros, technology, and transcendence.</p><p/><br></br><p><b> Book Synopsis </b></p></br></br>Whatever people think about Kubrick's work, most would agree that there is something distinctive, even unique, about the films he made: a coolness, an intellectual clarity, a critical edginess, and finally an intractable ambiguity. In an attempt to isolate the Kubrick difference, this book treats Kubrick's films to a conceptual and formal analysis rather than a biographical and chronological survey.<br/><br/>As Kubrick's cinema moves between the possibilities of human transcendence dramatized in 2001: A Space Odyssey and the dismal limitations of human nature exhibited in A Clockwork Orange, the filmmaker's style "de-realizes" cinematic realism while, paradoxically, achieving an unprecedented frankness of vision and documentary and technical richness. The result is a kind of vertigo: the audience is made aware of both the de-realized and the realized nature of cinema. As opposed to the usual studies providing a summary and commentary of individual films, this will be the first to provide an analysis of the "elements" of Kubrick's total cinema.<p/><br></br><p><b> About the Author </b></p></br></br><p><b>Philip Kuberski</b> is Professor of English at Wake Forest University and the author of three books and a number of essays on modern literature and its relations to science, technology, and mythology.</p>
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