<p/><br></br><p><b> About the Book </b></p></br></br>This second book in the Basics Film-Making series teaches the key elements of screenwriting, examining areas such as dialogue, sound, setting, shots, and structure.<p/><br></br><p><b> Book Synopsis </b></p></br></br><i>Basics Film-Making: Screenwriting</i> is the second in the Basics Film-Making series and is aimed both at students on film production courses, as well as those wishing to write a short film. The book teaches the key elements of screenwriting through examining areas such as dialogue, sound, setting, shots and structure. It also provides advice to new film-makers on how to market their productions. This is an essential guide to screenwriting and will teach you to write and produce artistically satisfying shorts.<p/><br></br><p><b> From the Back Cover </b></p></br></br><P>"Basics Film-Making: Screenwriting" is the second in the "Basics Film-Making" series and is aimed at both students on film production courses, as well as those wishing to write a short film. The book teaches the key elements of screenwriting through examining areas such as dialogue, sound, setting, shots and structure. It also provides advice to new film-makers on how to market their productions. <P>"Basics Film-Making: Screenwriting" provides both a practical approach to the discipline as well as a theoretical exploration, explaining why a knowledge of basic film theory is essential to inform and enrich the film-maker's writing. <P>"Basics Film-Making: Screenwriting" explores existing movies to illustrate key concepts and contains exercises designed to test and build on the reader's understanding of screenwriting. The text includes drafts of short screenplay written for the book; taking the reader through the complete process from formulating the initial draft to preparing film pitches. <P>This is an essential guide to screenwriting and will teach the reader to write and produce artistically satisfying shorts. <P>Other titles in the" Basics Film-Making" series include: "Producing, Directing Fiction" and "The Language of Film." <p/><br></br><p><b> Review Quotes </b></p></br></br><br>A superbly illustrated compendium of information, examples, concepts, and more... <i>Basics Film-Making: Screenwriting</i> is an ideal and effective introduction that should be considered an invaluable instructional guide and continuing reference manual for anyone who aspires to write a professional quality screenplay.<br/>Library Bookwatch, June 2009<br><br>Easy to read, accessible, covers all the main industry requirements. Excellent use of contemporary examples.<br/>Elaine Pierson, London Metropolitan University, UK<br><br>The book addresses the basic elements of screenwriting, while encouraging the aspiring writer through the stages of the process. In addition, the use of examples provides clarification of the authors' main points.<br/>Andrew Maietta, Art Institute of Pittsburgh, USA<br><p/><br></br><p><b> About the Author </b></p></br></br><b>Robert Edgar-Hunt</b> is programme head of Film and TV Production at York St John University. He also practises as a screenwriter and has research interests in creative writing, postmodernism and film directing. John Marland is senior lecturer in Film and TV Production at York St John University. His research interests include the relationship between film and psychoanalysis. James Richards is a lecturer in Screenwriting at York St John University and a freelance writer for television, film and radio as well as journalism and corporate videos. He won a Bafta award and has worked as a writer and script editor on soaps, dramas and documentaries.
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