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<p/><br></br><p><b> About the Book </b></p></br></br>For over 20 years Berlin-based photographer and filmmaker Armin Linke (b. 1966) has been photographing the effects of globalization, the transformation of infrastructures and the networking of post-industrial society via digital information and communication technologies. Following his recent exhibition in Milan, this substantial publication features images selected by a variety of theorists and scientists chosen by Linke. The images selected by Israeli theorist, curator and filmmaker Ariella Azoulay, French sociologist and philosopher Bruno Latour, Austrian artist/curator/media theorist Peter Weibel, American architectural theorist Mark Wigley, and British geologist Jan Zalasiewicz open up Linkes work to a variety of new readings. Linkes photographs depict the modern world as a massive profusion of data, where the material infrastructures, consisting of computer centers, data highways and server rooms, are largely invisible. A research affiliate at the MIT Visual Arts Program, Linke has exhibited extensively worldwide including the Storefront, NY, and KW Berlin.<p/><br></br><p><b> Book Synopsis </b></p></br></br><p><strong>For more than 20 years, German photographer and filmmaker Armin Linke (born 1966) has been photographing the effects of globalization, the wholesale transformation of infrastructure and the networking of the post-industrial society via digital information and communication technologies.</strong></p><p>His photographs show that the modern world is a massive profusion of data, where the material infrastructures--consisting of computer centers, data highways and server rooms--are largely invisible.</p><p>For <i>The Appearance of That Which Cannot Be Seen</i>, Linke invited scientists, philosophers and theoreticians to examine his picture archive. Ariella Azoulay, Bruno Latour, Peter Weibel, Mark Wigley, and Jan Zalasiewicz made a selection of images and in the process opened up Linke's photos to a variety of different readings.</p>

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