<p/><br></br><p><b> Book Synopsis </b></p></br></br><p><strong>John Cage's poetical statement on indeterminacy, Duchamp, art, life and more </strong></p><p>Written in his characteristic "mesostics" (lines of prose poetry linked by a central vertical acrostic), <i>Composition in Retrospect</i> is a statement of methodology in which composer John Cage examines the central issues of his work: indeterminacy, imitation, variable structure and contingency. Finished only shortly before his death in 1992, <i>Composition in Retrospect</i> completes the documentation of Cage's thought that began with his classic book <i>Silence</i> (1961), but it is an introduction and invitation to his work as much as a summary or conclusion. Also included in this volume (at Cage's request) is "Themes and Variations," a piece written in 1982 about friends and heroes such as Jasper Johns, Buckminster Fuller, Marcel Duchamp and Erik Satie. Together these pieces form a book that is both a testament to the artists Cage admired and a clear statement of his own ars poetica.</p>
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