<p/><br></br><p><b> About the Book </b></p></br></br>Full of detailed and insightful commentary from internationally renowned singers, directors, coaches, and other professionals--Regina Resnik, Sherrill Milnes, Carol Vaness, and Warren Jones, to name a few--this volume will be invaluable to the performer, student, and teacher of operatic repertoire throughout their developing careers.<p/><br></br><p><b> Book Synopsis </b></p></br></br><p>A long-awaited resource for the young operatic singer, this annotated guide brings together many sources to start the journey toward powerful, informed performance. An extensive discussion of <i>fach</i> and audition repertoire is followed by more than 400 arias organized by voice type, including canonical, contemporary, and obscure works from different languages. Each entry includes level of difficulty, voice/character type, special techniques, tessitura, and accompaniment. Full of detailed and insightful commentary from internationally renowned singers, directors, coaches, and other professionals--Regina Resnik, Sherrill Milnes, Carol Vaness, and Warren Jones, to name a few--this volume will be invaluable to the performer, student, and teacher of operatic repertoire throughout their developing careers.</p><p/><br></br><p><b> Review Quotes </b></p></br></br><br><p>Clark . . . has compiled a guide to opera repertory for solo voice. . . . This work can be compared to Berton Coffin's Singer's Repertoire (2nd ed., 1962), which covers the art song in much the same manner. . . . Recommended.</p>-- "Choice"<br><p/><br></br><p><b> About the Author </b></p></br></br><p>Mark Ross Clark is Director of Opera and Musical Theatre at the University of Louisiana-Monroe and directs the Louisiana Lyric Opera. He is author of <i>Singing, Acting, and Movement in Opera</i> (IUP, 2002).</p>
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