The Obama Portraits - by Taína Caragol & Dorothy Moss & Richard Powell & Kim Sajet (Hardcover)
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<p/><br></br><p><b> About the Book </b></p></br></br>"This is the first study of the portraits Barack Obama (2018) and Michelle Obama (2018), their reception, and their significance. The book includes essays by historians examining the influence of the paintings and what they reveal about contemporary portraiture, particularly in relation to American and African American history and culture. The book also features interviews with the artists, transcripts of the remarks made by the Obamas at the unveiling, and a selection of images, including behind-the-scenes photography by Pete Souza, the official photographer for the Obamas, made during the portrait sittings"--<p/><br></br><p><b> Book Synopsis </b></p></br></br><p><b>A richly illustrated celebration of the paintings of President Barack Obama and First Lady Michelle Obama </b> <p/>From the moment of their unveiling at the National Portrait Gallery in early 2018, the portraits of Barack and Michelle Obama have become two of the most beloved artworks of our time. Kehinde Wiley's portrait of President Obama and Amy Sherald's portrait of the former first lady have inspired unprecedented responses from the public, and attendance at the museum has more than doubled as visitors travel from near and far to view these larger-than-life paintings. After witnessing a woman drop to her knees in prayer before the portrait of Barack Obama, one guard said, No other painting gets the same kind of reactions. Ever. <i>The Obama Portraits </i>is the first book about the making, meaning, and significance of these remarkable artworks. <p/>Richly illustrated with images of the portraits, exclusive pictures of the Obamas with the artists during their sittings, and photos of the historic unveiling ceremony by former White House photographer Pete Souza, this book offers insight into what these paintings can tell us about the history of portraiture and American culture. The volume also features a transcript of the unveiling ceremony, which includes moving remarks by the Obamas and the artists. A reversible dust jacket allows readers to choose which portrait to display on the front cover. <p/>An inspiring history of the creation and impact of the Obama portraits, this fascinating book speaks to the power of art--especially portraiture--to bring people together and promote cultural change. <p/>Published in association with the Smithsonian's National Portrait Gallery, Washington, DC</p><p/><br></br><p><b> Review Quotes </b></p></br></br><br>Unearthing the stories behind the Obamas' most famous portraits, this book is full of wonderful anecdotes as well as being an absolute beauty to behold. The cover jacket is also reversible so you can choose which one to show off. It's an insightful commentary on the famous political family and their impact on the world of art.-- "Spell Magazine"<br><br>The beauty of this book grabs readers before they even read a single word. In addition to having a removable and reversible cover that allows the reader to have either Mr. or Mrs. Obama's portrait on the face, this book contains other presidential portraits, such as John F. Kennedy, George W. Bush, and Abraham Lincoln from the National Portrait Gallery. It also highlights other lush artwork, which the Obamas added to the White House collection . . . [T]his vibrant volume can easily be added to your coffee table to impress guests or simply to provide a sense of visual calm during this current national and international storm.<b>---Celeste Doaks, <i>BmoreArt.com</i></b><br><br>Attendance at the Smithsonian's National Portrait Gallery in Washington, D.C. has more than doubled since the unveiling of Barack and Michelle Obama's official portraits in early 2018. A new book, <i>The Obama Portraits . . . </i>sheds new light on the creation and impact of these artworks, including exclusive photographs of the Obamas during their sittings.<b>---Elizabeth Winker, <i>Wall Street Journal</i></b><br><br>It's rare for a painting to be the subject of international headlines. But this was the case for the pair of portraits that Kehinde Wiley and Amy Sherald made of President Barack Obama and First Lady Michelle Obama, which made waves around the world. Now, two years after the frenzy, the museum is taking stock of the artworks' impact with a new book published by Princeton University Press.<i> The Obama Portraits . . . </i>retraces the portraits' journeys, from behind-the-scenes looks at Wiley and Sherald in their studios, to the much-publicized unveiling, and finally to the burst of popular attention and interest that followed.<b>---Taylor Dafoe, <i>Artnet</i></b><br><br>The director, Kim Sajet, describes this success as the product of 'a perfect storm'. It owes much, she says, to the quality of the paintings themselves - Sajet calls them 'extraordinary', and it's true that they don't look the way you expect official portraits to look - but she also thinks that our approach to the medium has changed.<b>---Kim Sajet & Cal Revely-Calder, <i>The Telegraph</i></b><br><br>This is an undeniably exciting new release, full of behind-the-scenes photographs, interviews with the artists, and more.<b>---Leah B, <i>Powell's Book Blog</i></b><br><br>We're never supposed to judge a book by its cover, but I just bought a book for its jacket. I'm a lifelong bibliophile who should know better, but it might be the most beautiful jacket I've ever seen. The book that came with it is The Obama Portraits . . . [n]either mammoth coffee-table decoration, nor academic tome, it has a lot of handsome art images, some interesting photos, and a transcript of the 2018 unveiling ceremony. I'll probably even read it.<b>---Deanna Isaacs, <i>Chicago Reader</i></b><br><br>With copious photos, the book <i>The Obama Portraits</i> details the creation of the paintings while delving into the significance of their unprecedented popularity.<b>---Reagan Upshaw, <i>Washington Post</i></b><br><p/><br></br><p><b> About the Author </b></p></br></br><b>Taína Caragol</b> is curator of painting and sculpture and Latino art and history at the National Portrait Gallery in Washington, DC. <b>Dorothy Moss</b> is curator of painting and sculpture at the National Portrait Gallery, where she also directs the Outwin Boochever Portrait Competition and serves as coordinating curator of the Smithsonian American Women's History Initiative. <b>Richard J. Powell</b> is the John Spencer Bassett Professor of Art and Art History at Duke University and the author of <i>Cutting a Figure: Fashioning Black Portraiture</i> and <i>Black Art: A Cultural History</i>, among other books. <b>Kim Sajet </b>is director of the National Portrait Gallery.
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