<p/><br></br><p><b> About the Book </b></p></br></br><i>OSMOS Magazine<i> is "an art magazine about the use and abuse of photography," explains its founder and editor. The magazine is divided into thematic sections--some traditional, such as "Portfolio," "Stories" and "Reportage"--and others more idiosyncratic, such as "Eye of the Beholder," where gallerists discuss the talents they showcase; and "Means to an End," on the side effects of nonartistic image production.roduction.<p/><br></br><p><b> Book Synopsis </b></p></br></br><p><i>OSMOS Magazine</i> is an art magazine about the use and abuse of photography, explains founder and editor Cay Sophie Rabinowitz (formerly of <i>Parkett</i> and <i>Fantom</i>). <p/>The magazine is divided into thematic sections--some traditional, such as "Portfolio," "Stories" and "Reportage"--and others more idiosyncratic, such as "Eye of the Beholder," where gallerists discuss the talents they showcase, and "Means to an End," on the side effects of non-artistic image production. <p/>This issue features Camaroonian artist Ajarb Bernard Ategwa, photographers Erik Magigan Heck and Ina Jang, a conversation with Penny Slinger and essays on Sarah Charlesworth's "Unwriting." The cover is by Joanna Piotrowska.</p>
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