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<p/><br></br><p><b> About the Book </b></p></br></br>Beautifully illustrated and internationally recognized as the definitive survey of Minimalism.<p/><br></br><p><b> Book Synopsis </b></p></br></br>A beautifully illustrated book, internationally recognized as the definitive survey of Minimalism.<p/><br></br><p><b> Review Quotes </b></p></br></br><br><p>Readers will learn as much about the subject as one book can be expected to deliver.--<i>Barry Schwabsky, Bookforum</i></p><p>Well written... An excellent 'Documents' section that allows a proper investigation of the movement's theoretical bases.--<i>Art Review</i></p><br><p/><br></br><p><b> About the Author </b></p></br></br><p>James Meyer is a writer and art historian who has been teaching contemporary art and critical theory at Emory University, Atlanta, since 1994. He is a noted specialist and lecturer in Minimalism, as well as other forms of American art of the 1960s, and contemporary forms of institutional critique. </p><p>Meyer has written extensively on Minimal artists. Publications include <i>Minimalism: Art and Polemics in the 1960s</i> (Yale, 2001); he has contributed essays to <i>Mel Bochner: Thought Made Visible 1966-1973</i> (Yale, 1995); <i>Ellsworth Kelly: Sculpture for a Large Wall, 1957</i> (Matthew Marks Gallery, 1998); <i>Eva Hesse: A Retrospective</i>, ed. Elisabeth Sussman (San Francisco Museum of Modern Art, 2002); <i>Conceptual Art: Theory, Myth, Practice</i> (Cambridge, 2004) and <i>A Minimal Future</i> (Museum of Contemporary Art, Los Angeles, 2004). He is the editor of <i>Carl André, Cuts=Texts, 1999-2004</i> (MIT Press, 2005) and has contributed to journals <i>Artforum</i>, <i>Art Magazine</i>, <i>Flash Art</i> and <i>Parkett.</i></p>

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