Swann's Way - (Penguin Drop Caps) by Marcel Proust (Hardcover)
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<p/><br></br><p><b> Book Synopsis </b></p></br></br>It all begins with a letter. Fall in love with Penguin Drop Caps, a new series of twenty-six collectible and hardcover editions, each with a type cover showcasing a gorgeously illustrated letter of the alphabet. In a design collaboration between Jessica Hische and Penguin Art Director Paul Buckley, the series features unique cover art by Hische, a superstar in the world of type design and illustration, whose work has appeared everywhere from Tiffany & Co. to Wes Anderson's recent film <i>Moonrise Kingdom</i> to Penguin's own bestsellers <i>Committed</i> and <i>Rules of Civility</i>. With exclusive designs that have never before appeared on Hische's hugely popular <i>Daily Drop Cap</i> blog, the Penguin Drop Caps series debuted with an 'A' for Jane Austen's <i>Pride and Prejudice</i>, a 'B' for Charlotte Brönte's <i>Jane Eyre</i>, and a 'C' for Willa Cather's <i>My Ántonia</i>. It continues with more perennial classics, perfect to give as elegant gifts or to showcase on your own shelves. <p/><b>P is for Proust.</b> <i>Swann's Way</i> is one of the preeminent novels of childhood: a sensitive boy's impressions of his family and neighbors, all brought dazzlingly back to life years later by a taste of a madeleine. It also enfolds the short novel Swann in Love, an incomparable study of sexual jealousy that becomes a crucial part of the vast, unfolding structure in I<i>n Search of Lost Time</i>. The first volume of the work that established Proust as one of the finest voices of the modern age--satirical, skeptical, confiding, and endlessly varied in his response to the human condition--<i>Swann's Way</i> also stands on its own as a perfect rendering of a life in art, of the past recreated through memory.<p/><br></br><p><b> Review Quotes </b></p></br></br><br>Winner of the 2012 Fifty Books/Fifty Covers show, organized by Design Observer in association with AIGA and Designers & Books <p/>Winner of the 2014 Type Directors Club Communication Design Award <p/><b>Praise for Penguin Drop Caps: </b> <p/>[Penguin Drop Caps] convey a sense of nostalgia for the tactility and aesthetic power of a physical book and for a centuries-old tradition of beautiful lettering.<br>--<i>Fast Company</i> <p/>"Vibrant, minimalist new typographic covers.... Bonus points for the heartening gender balance of the initial selections."<br>--Maria Popova, <i>Brain Pickings</i> <p/>The Penguin Drop Caps series is a great example of the power of design. Why buy these particular classics when there are less expensive, even free editions of <i>Great Expectations</i>? Because they're beautiful objects. Paul Buckley and Jessica Hische's fresh approach to the literary classics reduces the design down to typography and color. Each cover is foil-stamped with a cleverly illustrated letterform that reveals an element of the story. Jane Austen's A (<i>Pride and Prejudice</i>) is formed by opulent peacock feathers and Charlotte Bronte's B (<i>Jane Eyre</i>) is surrounded by flames. The complete set forms a rainbow spectrum prettier than anything else on your bookshelf.<br>--Rex Bonomelli, <i>The New York Times</i> <p/>Drool-inducing.<br>--<i>Flavorwire</i> <p/>Classic reads in stunning covers--your book club will be dying.<br>--<i>Redbook</i><br><p/><br></br><p><b> About the Author </b></p></br></br><b>Marcel Proust </b>(1871-1922) spent his twenties as a conspicuous society figure, but after 1907 he rarely emerged from a cork-lined room in his apartment where he devoted himself to the composition of <i>In Search of Lost Time</i>. <p/><b>Lydia Davis</b> has been a MacArthur Fellow, National Book Award finalist, and Chevalier of the Order of Arts and Letters. Davis was awarded the 2003 French-American Foundation Translation Prize for her translation of Marcel Proust's <i>Swann's Way.</i> She lives near Albany, New York. <p/><b>Jessica Hische</b> is a letterer, an illustrator, a typographer, and a web designer. She currently serves on the Type Directors Club board of directors, has been named a <i>Forbes Magazine</i> 30 under 30 in art and design as well as an ADC Young Gun and one of <i>Print Magazine</i>'s New Visual Artists. She has designed for Wes Anderson, <i>McSweeney's</i>, Tiffany & Co, Penguin Books, and many other clients. She resides primarily in San Francisco, occasionally in Brooklyn.
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