<p/><br></br><p><b> Book Synopsis </b></p></br></br><p><strong>Since 2012, Hans Ulrich Obrist (born 1968) has made a weekly contribution to <i>Das Magazin</i>, the weekend supplement of the Swiss <i>Tages-Anzeiger</i> newspaper.</strong></p><p>His weekly column offers a survey of contemporary art and current cultural affairs in the style of a diary. </p><p>Offering an open and globalized mapping of the culture of the 2010s, Obrist's writings for <i>Das Magazin</i> are collected in <i>Somewhere Totally Else</i> for the first time. The anthology also serves as a portrait, revealing the personal cosmology of this curious-about-everything global citizen par excellence: Obrist writes on everything from Etel Adnan and Lina Bo Bardi to Fischli/Weiss, from the importance of sharing and interdisciplinary thinking to the legacy of Édouard Glissant. </p><p><i>Somewhere Totally Else</i> collects 100 entries written between 2012 and 2017, with drawings by British artist David Shrigley.</p><p/><br></br><p><b> Review Quotes </b></p></br></br><br>On my radar: Hans Ulrich Obrist's cultural highlights -- The Serpentine Galleries artistic director on AI in art, the healing powers of Emma Kunz and some visionary jazz--Kathryn Bromwich "The Guardian"<br>
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