<p/><br></br><p><b> About the Book </b></p></br></br>"The only academic book to discuss the Beatles and their social and cultural impact as understood through the experiences and lives of women"--<p/><br></br><p><b> Book Synopsis </b></p></br></br><p><i>A Women's History of the Beatles </i>is the first book to offer a detailed presentation of the band's social and cultural impact as understood through the experiences and lives of women. Drawing on a mix of interviews, archival research, textual analysis, and autoethnography, this scholarly work depicts how the Beatles have profoundly shaped and enriched the lives of women, while also reexamining key, influential female figures within the group's history. <p/> Organized topically based on key themes important to the Beatles story, each chapter uncovers the varied and multifaceted relationships women have had with the band, whether face-to-face and intimately or parasocially through mediated, popular culture. Set within a socio-historical context that charts changing gender norms since the early 1960s, these narratives consider how the Beatles have affected women's lives across three generations. Providing a fresh perspective of a well-known tale, this is a cultural history that moves far beyond the screams of Beatlemania to offer a more comprehensive understanding of what the now iconic band has meant to women over the course of six decades.</p><p/><br></br><p><b> Review Quotes </b></p></br></br><br><p>With <i>A Women's History of the Beatles</i>, Christine Feldman-Barrett has authored arguably the most significant title in Beatles scholarship since <i>Tune In</i> (2013), the first volume in Mark Lewisohn's groundbreaking biographical study of the group. ... <i>A Women's History of the Beatles</i> represents a fundamental, albeit long-neglected aspect of Beatles scholarship that, thanks to Feldman-Barrett's trailblazing work, will be the fount of a host of new inquiries to come." - Kenneth Womack, <i>Rock and Music Studies</i> <p/>'A Women's History of The Beatles' is a deep dive scholarly approach that is informative, thought-provoking and should create more open dialogue not only for academia-minded individuals, but also for those who seek unique perspectives on how The Beatles shaped their (and our) generation. - <i>Beatles-Freak's Reviews</i> <p/>"From fans to female Beatles-inspired bands, we see the powerful exchange of energy between the Beatles and the women who engaged with them internationally. Original interviews are interleaved with significant moments in the Beatles' history, giving a unique perspective into the way the band 'worked' as cultural figureheads." --<i>Helen Reddington, Senior Lecturer in Music Production, University of East London, UK</i> <p/>"Women's history often involves a re-framing of the past, and in the field of popular music, curation, and analysis of the canon has usually been done by men. With this rich study across three generations, Feldman-Barrett shows how over time Beatlemania and Beatles culture has created a space for women's self-reflection, identity formation, and creative experimentation. An exciting contribution to women's history, popular music studies and our understanding of the Beatles." --<i>Lucy O'Brien, author of She Bop: The Definitive History of Women in Popular Music</i> <p/>"In this exciting and illuminating account, Christine Feldman-Barrett looks beneath the surface of Beatlemania to uncover the multiple interlocking ways in which women were shaped by, and helped to shape, the story of pop's most famous group. Understanding Beatles fandom less in terms of a top-down relationship than of a two-way street full of liberatory possibilities, <i>A Women's History of the Beatles</i> reveals the hitherto overlooked role of the Beatles in opening the space for multiple emancipations of women in the 1960s and beyond." --<i>Timothy Scott Brown, Professor and Chair of History, Northeastern University, USA</i></p><br><p/><br></br><p><b> About the Author </b></p></br></br><b>Christine Feldman-Barrett</b> is a Senior Lecturer in the School of Humanities, Languages and Social Science at Griffith University, Australia, and is a member of the Griffith Centre for Social and Cultural Research. She is the author of <i>'We are the Mods': A Transnational History of a Youth Subculture</i> (2009), the first scholarly book dedicated to the history and global reach of Mod culture, and the editor of <i>Lost Histories of Youth Culture </i>(2015). She has published on topics of youth culture history in various collected volumes and in the <i>Journal of Youth Studies</i>, <i>Space and Culture, Feminist Media Studies</i>, and <i>Popular Music and Society</i>.